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Arzoumanidis among the Sponsors of “60 Lepta”

Poster for “60 Lepta”, with Arzoumanidis as a sponsor

In 2018, Arzoumanidis Classic Furniture was included among the sponsors of “60 Lepta”, presented at Sofouli Theatre in Thessaloniki.

The play, written and directed by Anthimos Katirtzoglou, premiered on 2 March 2018. The black comedy brought six people to the stage who knew one another online and met at a party.

The listing of Arzoumanidis among the sponsors records another collaboration with theatre in our city. We present it as part of our archive of cultural activities we have supported.

60 Lepta: six characters in an unexpected encounter

The archived production presentation on ThessalonikiGuide describes a group of people from different backgrounds. A pharmacist, a politician, a fashion designer, a model, a psychologist and a theatre producer meet at a birthday party. Until then, they had known one another online, adding uncertainty to their first meeting.

A game becomes the occasion for their behaviour to be tested. As time runs short, different sides of the characters emerge. “60 Lepta” thus combined black comedy with mystery and questions about how well we know the people with whom we communicate.

The people behind the production

The listed cast included Tina Leonara, Anthimos Katirtzoglou, Eirini Thermasoni, Dimitris Elias, Dimitris Danampasis and Smaragda Tzouma. Athina Batsila was responsible for the sets and costumes, while Lefteris Papastavrou composed the original music. Sound and lighting were by Anestis Ataktidis.

Recording the creative team allows a fuller picture of the production to be preserved. A theatrical performance results from the meeting of many different disciplines: writing, acting, stage setting, music and technical support work together to present the story to the audience.

A moment from our theatre collaborations

For Arzoumanidis, “60 Lepta” is a recorded collaboration with the theatrical life of Thessaloniki. Through our archive, visitors can discover productions we supported and connect them with the time and place in which they were presented.

This retrospective concerns the 2018 production at Sofouli Theatre. Earlier presentations remain useful sources for its plot and creators. By keeping this information together, we make the collaboration accessible to anyone who wants to learn more about the company’s relationship with theatre.

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